The principles of smart home product layout design are analyzed and the smart home system architecture based on the Internet of Things is designed.
In the surrealist code, therefore, mathematics and abstraction become an important condition for further private implementations of surrealistic thought and aesthetics.Īiming at the problems of poor layout design efficiency of smart home products and low rationality of layout planning, a layout design method for smart home products based on a real-number coding genetic algorithm is proposed. The noise, understood as an empty sign, actualises the mathematical in sound.
The sound landscape on equal terms includes silence (zero state of sound), the sounds themselves in their materiality and noise. A general deterritorialisation of sound takes place in it, the sounding is freed through the objectification of sound, freed from the human as well. The third alternative way to work with sound is offered by Nikita Safonov’s poetic practice. If Vadim Bannikov’s automatism frees the subject, the surrealisation of Vasiliy Borodin frees the very musicality and audial culture (possibly “to the detriment” of poetry). Vasiliy Borodin’s auditory asemic letter becomes a solution to the poetry task of “moving away from words” formulated by the poet himself, but in a surrealist context this turns out to be a new stage in objectification of the code. His “asemantic poetry” reveals the collaged polyphony of the Sprechgesang, forcing to reconsider the non-musicality of classical surrealism. Vadim Bannikov with the help of spontaneous sampling of material (figurative and verbal) brings sound and auditory constants to surrealistic editing and metamorphosis.
THE CENTURY QUILT SOUND AND MUSICALITY CODE
The article discusses modern poetic practices that actualize the surrealistic code through a sound medium.
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